Last two weekends of May to go: 11- 5.30 pm Sat and Sun
Check out our facebook page. Become a fan and get a free cuppa/slice of cake when you visit the gallery!
Thought you might want to know a little more about Lux & Love’s jewellery that has been selling successfully for the last 2 years at London and Brighton’s boutique tattoo shops, Into You:
http://www.into-you.co.uk/devils_own.php
as well as Brighton’s Hope & Harlequin, Made in Hastings, Wickle in Lewes and online stores Ecoboutique:
http://www.ecobtq.com/content/view/121/86/
and Dollydagger.
Designer and maker Carola Del Mese uses 80 – 90% reclaimed materials. She raids the brass bins at the metal recycling centre which she uses to make the unique and handmade elements, and recycles genuine vintage charms and necklaces, reusing the carefully selected semi precious stones and pearls.
This Christmas sees the launch of Lux & Love’s new creations, which feature themed collections of necklaces, bracelets, brooches and earrings starting with Ali Baba’s Arabian nights, Sailor Jerry’s tattoo parlour and Time for tea!
Lux and Love has collected vintage and antique charms, altered them & re-cast them in brass, mixing them with jewels and nuggets to make unique and limited edition pieces.
Themed collections for the future include Crown Jewels, Circus and Safari.
Teapots
Carola has been recently approached by the Kamm Foundation (the largest collection of artist non functional teapots) housed in its own museum in California. The founders have expressed an interest in buying some of Carola’s work.
More news coming: Stef Warde's Peculiar Vintage Jewellery featured in Red magazine and her best seller! 10 % discount on these Red Magazine pieces for Bungeroosh Gallery customers.
Hi Lou, I will choose my shit nearer the time, far too soon for me to decide on shits!
Hope you are recovering sanity.Tanya La Mantia x
I prefered the shits. Siobhan Collett
Hi, Loved your email, you said shits instead of shifts.
I've had an awful day and it made me laugh ! x Liz Toole
It made me laugh a lot! XXX Sarah Ketelaars
No worries... the shits flew over my head! ... so to speak!
xxxx Su Breakwell
I don't have any shits do I? Siobhan Collett
I want to turn all this trash that we all keep filling the planet with into something natural and positive again, so, I try to just use recycled materials. I have been inspired by my visit to Africa where the African people have an ingenious ability to reuse everything! Nothing goes to waste. I enjoy the fact that I don’t have to go too far to source my materials and that everyone can join the cause and be creative with old rubbish, turning it into something new and unique.
Written by Tina Tighe
If you want to find out more about how to turn everyday rubbish into art check out the Bungeroosh Gallery's CHILDREN'S RECYCLING WORKSHOPS Sat mornings in May 10 - 11 am 5 yrs +£5 per child. Ssee the website for details: www.bungerooshgallery.co.uk
The Japanese word Hibaku translates as ‘something that has experienced a nuclear bomb.’ This sculpture/papercutting is a representation of a weeping willow that survived and re-grew after the bombing of Hiroshima on August 6th 1945. The tree itself stands 370 meters away from what is known to be the hypocentre of the blast. After the complete devastation the bomb left there was much speculation if the city could regenerate.
One Manhattan Project scientist told the Washington Post the land “will be barren of life and nothing will grow for 75 years.” But the very next spring various species of trees budded. The indomitable vitality of the trees offered a much needed symbol of hope to the citizens of Hiroshima. Seeing this new life they took courage and realized that they too had the ability to rebuild, recover and regenerate.
All components of this piece have been locally sourced & reclaimed, breathing new life in to the redundancy of these objects.
Written by Suzanne Breakwell
Following the recent success of three Bungeroosh Gallery artists being selected for HOUSE Open in the festival of Artists Open Houses in Brighton this May, I asked each of them to send me some background information on their work and some stills for the blog. The first is Helen Cann, enjoy!
Helen Cann - rules of graffitti and regeneration
I’m interested in language, both verbal and non-verbal. Much of my acrylic work makes use of lettering and design and I often make pastiches of familiar printed ephemera – old posters, adverts, playing cards, book jackets etc…
I was interested in looking at the language and design rules of grafitti in the paintings made for the Bungeroosh gallery. Seemingly ruleless, grafitti has distinct types of lettering, design rules, language and codes of conduct. I wanted to contrast its anarchy and connection with the contemporary city with old myths and legends associated with the wild ancient forests – Little Red Riding Hood, The Green Man, Herne the Hunter and Titania, Queen of the Fairies.
The work displayed in HOUSE, at the Regency Townhouse in Brunswick Square has the theme of regeneration. I’m exhibiting a set of happy family cards based around the design rules and lettering of an old traditional pack that my grandmother used to own. Instead of using the traditional tradesmans’ families (butchers, bakers, sweeps etc) I was interested in the different “tribes” that people belong to now – the substitute families of people you spend time with in cafes, bars, at work…
Lastly, I’m a resident artist for one night only (8th May) at Residence, a pop-up restaurant on Whitecross St, open for the duration of the festival. I will be making a piece based on an 18th century fan design but using the contemporary restaurant and its customers as part of the image. Fans were used to communicate in code and I’ll be watching the non-verbal body language that inevitably happens when groups of people get together!
Written by Helen Cann